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Using digital storytelling-a new media genre that began in California in the late 1990s and that proliferated across 'the West' in the 2000s-as a site of analysis, this book asks, 'What is done in the name of the everyday?' Like everyday multiculturalism, digital storytelling is promoted as an accessible, enabling, and ordinary phenomenon that represents cultural experience more accurately than official sites. As such, the genre frequently houses stories of migration, community, and ethnic and racial differences. In turn, digital story collections often act as digital monuments or repositories of multiculturalism, giving a digital life to narratives of migration, cultural difference, and national belonging. This is evidenced in one of the world's largest public collections of digital stories, found in the Australian Centre for the Moving Image (ACMI) and referenced throughout this book.
Sociology of culture --- Narration (Rhetoric) --- Storytelling in mass media --- Digital storytelling --- Storytelling --- Mass media --- Narrative (Rhetoric) --- Narrative writing --- Rhetoric --- Discourse analysis, Narrative --- Narratees (Rhetoric) --- Storytelling in mass media. --- Digital storytelling.
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This book examines the work of psychological illusionist Derren Brown to understand the significance of storytelling and ancient philosophy in our society. Reflecting on the social disconnection and political polarisation of recent times, Darren Kelsey considers how we can rebuild a sense of collective cohesion and common good, weaving together contemporary psychology with ancient Stoicism to cut through the noise of modern life. Kelsey shows that Brown is more than a stage performer: he's an enlightened magician who offers us guidance for navigating the challenges life throws at us, using his skills and wisdom to help us better understand ourselves and enable human flourishing. In this rigorous examination of Brown's work, Kelsey makes a compelling case for paying closer attention to our personal, cultural and political stories and beliefs to help create a better future - for ourselves, our communities, and the planet. "Darren Kelsey takes us on a powerful and erudite exploration of the role of narrative, myth and collective psychology in helping us to make sense of the world, our place in it and above all our own sense of who we are. As Kelsey sets out, the work of the illusionist Derren Brown is a fascinating example of how popular culture has taken on some of the important roles traditionally played by storytellers, orators and performers." -Alex Evans, Founder of Larger Us and best-selling author of The Myth Gap "Storytelling and Collective Psychology seeks to build bridges across disciplines. Via a range of fascinating and stimulating examples and case studies - most prominently, the psychological illusionist Derren Brown - Kelsey connects Stoic philosophy and modern psychology, revealing astonishing connections between Stoicism and cognitive behavioural therapy (CBT)." -Paul Bowman, Professor of Cultural Studies, Cardiff University "Storytelling and Collective Psychology is an original and timely book which combines popular and academic elements. Using examples from Brown's shows and books, the book merges his philosophy with Jungian Analytical Psychology and delves into the nature of what it means to be human in today's world. " -Helena Bassil-Morozow, Lecturer in Media and Journalism, Glasgow School for Business and Society.
Philosophy --- Social psychology --- Sociology of culture --- Psychiatry --- populaire cultuur --- sociale psychologie --- filosofie --- psychotherapie --- oudheid --- Storytelling --- Psychological aspects. --- Psicologia social --- Narració de contes --- Aspectes psicològics
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We share the experience of others through the stories they tell of the crucial events in their lives. This book provides a rich range of narratives that grip the reader's attention together with an analysis of how it is done. While remaining true to the facts, narrators use linguistic devices to present themselves in the best possible light and change the listener's perception of who is to blame for what has occurred. William Labov extends his widely used framework for narrative analysis to matters of greatest human concern: the danger of death, violence, premonitions and large-scale community conflicts. The book also examines traditional epic and historical texts, from Herodotus and the Old Testament to Macaulay, showing how these literary genres draw upon the techniques of personal narratives. Not only relevant to students of narratology, discourse and sociolinguistics, this book will be rewarding reading for anyone interested in the human condition.
Fiction --- Literary rhetorics --- Pragmatics --- Analyse du discours narratif --- Sociolinguistique --- Discourse analysis, Narrative. --- Storytelling. --- Narration (Rhetoric) --- Narration (Rhetoric). --- Discourse analysis, Narrative --- Narrative (Rhetoric) --- Storytelling --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Narrative writing --- Rhetoric --- Narratees (Rhetoric) --- Narrative discourse analysis --- Performance --- Analyse du discours narratif. --- Sociolinguistique. --- narratologie --- beeldverhaal --- 82 --- film --- literatuurtheorie --- linguïstiek --- literatuur --- Arts and Humanities --- Language & Linguistics
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Based on a corpus of Texan oral narratives collected by the author over the past fifteen years, this study presents an analysis of the literary qualities or orally performed verbal art, focusing on the significance of its social context. Although the tales included are all from Texas, they are representative of oral storytelling traditions in other parts of the United States, including tall tales, hunting stories, local character anecdotes, accounts of practical jokes, and so on. They are also highly entertaining in their own right. Professor Bauman's main emphasis is on the act of storytelling, not just the text. His central analytical concern is to demonstrate the interrelationships that exist between the events recounted in the narratives (narrated events), the narrative texts, and the situations in which the narratives are told (narrative events). He identifies these interrelationships by combining a close formal analysis of the texts with an ethnographic examination of the way in which their telling is accomplished, paying particular attention to the links between form and function. He also illuminates other more general concerns in the study of oral narrative, such as stability and variation in the oral text, the problem of genre, and the rhetorical efficacy of literary forms. As an important contribution to the theoretical and practical literary analysis of orally performed narratives, the book will appeal to students and teachers of folklore, sociolinguistics and linguistic anthropology, and literary theory.
Folklore --- Fiction --- Oral tradition --- Storytelling --- Tradition orale --- Art de conter --- Oral tradition. --- Storytelling. --- Performance. --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Oral interpretation of fiction --- Tradition, Oral --- Oral communication --- Oral history --- Performance of folklore --- Performance --- Arts and Humanities --- Language & Linguistics
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Storytelling is a fundamental mode of everyday interaction. This book is based upon the Narrative Corpus (NC), a specialized corpus of naturally occurring narratives, and provides new paths for its study. Christoph Rühlemann uses the NC's narrative-specific annotation and XPath and XQuery, query languages that allow the retrieval of complex data structures, to facilitate large-scale quantitative investigations into how narrators and recipients collaborate in storytelling. Empirical analyses are validated using R, a programming language and environment for statistical computing and graphics. Using this unique data and methodological base, Rühlemann reveals new insights, including the discovery of turntaking patterns specific to narrative, the first investigation of textual colligation in spoken data, the unearthing of how speech reports, as discourse units, form striking patterns at utterance level, and the identification of the story climax as the sequential context in which recipient dialogue is preferentially positioned.
Anglais (langue) --- Discourse analysis, Narrative. --- Conversation analysis. --- Storytelling. --- Analyse du discours narratif --- Storytelling --- Erzähltechnik. --- Erzählperspektive. --- Konversationsanalyse. --- Oral interpretation of fiction --- 802.0-56 Engels: syntaxis; semantiek --- Engels: syntaxis; semantiek --- Conversation analysis --- Discourse analysis, Narrative --- 802.0-56 --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Narrative discourse analysis --- Narration (Rhetoric) --- Analysis of conversation --- CA (Interpersonal communication) --- Conversational analysis --- Oral communication --- Performance --- Fiction --- English literature --- English language --- Pragmatics --- Englisch. --- Discourse analysis. --- Analyse du discours narratif. --- Discourse analysis --- Arts and Humanities --- Language & Linguistics --- English language - Discourse analysis
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This book shows the role data plays in communication and marketing and how it can be used as an important source for storytelling. Because data, as a raw material of the digital age, inspires corporate strategy. If it is collected, interpreted and processed properly, it provides new and sometimes surprising insights into contexts and offers the opportunity to develop exciting stories from it. Stories that also create relevance with regard to corporate goals, spark dialogues and make communication effective. The author explains in an easy-to-understand way how data-based communication strategies can be turned into gripping stories. He also provides useful tools and shows why data can lie, how important its visual processing is, where its use meets ethical limits and why data protection is also a business opportunity. Using practical examples, the book offers marketing and communication experts - but also interested managers from other disciplines - numerous inspirations and new perspectives. The content - Storytelling with data: The Oracle Principle - Storytelling in the digital age: narratives, protagonists and stories - From the question to the data: Why am I relevant? For whom am I relevant? Which topics are relevant? What moves users? - The path to a data strategy: developing a story, finding heroes and working as a team - What matters in data stories: manipulation, machine bias, ethics, privacy The author Dr. Hans-Wilhelm Eckert has over 25 years of experience in the communications industry: as a journalist, press officer, marketing and investor relations manager and consultant. The graduate historian is the owner of the communications consultancy momentum communication. His focus is on data and technology-driven industries, especially finance and IT. .
Product strategy --- Marketing --- Mass communications --- Advertising. Public relations --- merken --- PR (public relations) --- marketing --- bedrijfscommunicatie --- Branding (Marketing). --- Business communication.. --- Storytelling.. --- Comunicació en l'empresa --- Construcció de marca (Màrqueting) --- Narració de contes --- E-books --- Business communication --- Communication in marketing --- Information visualization --- Data processing
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This book is thus the first in-depth examination of one of the most overused and under-analysed concepts in discussions of popular cinema. What exactly is the 'happy ending'? Is it simply a cliché, as commonly supposed? Why has it earned such an unenviable reputation? What does it, or can it, mean? Concentrating especially on conclusions featuring an ultimate romantic union - the final couple - this wide-ranging investigation probes traditional associations between the 'happy ending' and homogeneity, closure, 'unrealism', and ideological conservatism, testing widespread assumptions against the evidence offered by a range of classical and contemporary films.
Film --- Los Angeles [California] --- Motion pictures --- Motion picture industry --- Couples in motion pictures. --- Man-woman relationships in motion pictures. --- Romance films. --- Chick flicks --- Love films --- Hollywood romance films --- Romance (Motion pictures) --- Romance movies --- Romance pictures (Motion pictures) --- Romantic films --- Romantic movies --- Cinema --- Feature films --- Films --- Movies --- Moving-pictures --- Audio-visual materials --- Mass media --- Performing arts --- History and criticism --- Storytelling. --- Happiness in motion pictures. --- History. --- Story-telling --- Telling of stories --- Oral interpretation --- Children's stories --- Folklore --- Oral interpretation of fiction --- Performance
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Many of the traditions which we think of as very ancient in their origins were not in fact sanctioned by long usage over the centuries, but were invented comparatively recently. This book explores examples of this process of invention - the creation of Welsh and Scottish 'national culture'; the elaboration of British royal rituals in the nineteenth and twentieth centuries; the origins of imperial rituals in British India and Africa; and the attempts by radical movements to develop counter-traditions of their own. It addresses the complex interaction of past and present, bringing together historians and anthropologists in a fascinating study of ritual and symbolism which poses new questions for the understanding of our history.
Sociology of culture --- cultureel erfgoed --- Folklore --- cultural heritage --- traditie --- anno 1800-1999 --- Manners and customs --- Rites and ceremonies --- #SBIB:93H3 --- #SBIB:316.7C122 --- Folk beliefs --- Folk-lore --- Traditions --- Ethnology --- Material culture --- Mythology --- Oral tradition --- Storytelling --- Ceremonies --- Cult --- Cultus --- Ecclesiastical rites and ceremonies --- Religious ceremonies --- Religious rites --- Rites of passage --- Ritualism --- Mysteries, Religious --- Ritual --- Origin of manners and customs --- Origin --- Thematische geschiedenis --- Cultuursociologie: overtuigingen, waarden en houdingen --- Sociology. --- Social theory --- Social sciences --- History. --- History and criticism --- #VCV monografie 1999 --- 323.1 --- 323.1 Nationale bewegingen. Nationalisme. Rassenpolitiek --- Nationale bewegingen. Nationalisme. Rassenpolitiek --- 815 Geschiedenis --- 812 Ideologie --- 826 Imperialisme, Kolonialisme --- 841 Politiek Bestel --- 844 Sociale Structuur --- 846 Identiteit --- 860 (Vredes)cultuur --- 881 Afrika --- 883.5 Zuid-Azië --- 884.2 Noord-Europa --- Folklore. --- Origin. --- Moeurs et coutumes --- Rites et cérémonies --- Origines --- Origine --- Folklore. Geschiedenis. (Versch. onderwerpen) --- Coutumes. Origines. (Mélanges) --- Folklore. Histoire. (Mélanges) --- Gebruiken. Oorsprong. (Versch. onderwerpen) --- British --- Mœurs et coutumes --- Rites et cérémonies --- Britanniques --- Rites and ceremonies. --- Social life and customs. --- Histoire --- Windsor, House of --- Manners and customs - Origin --- Rites and ceremonies - Origin --- #SBIB:
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